That Corner of Barton of James
That Corner of Barton of James
That Corner of Barton of James
That Corner of Barton of James
That Corner of Barton of James
That Corner of Barton of James
That Corner of Barton of James
  • Load image into Gallery viewer, That Corner of Barton of James
  • Load image into Gallery viewer, That Corner of Barton of James
  • Load image into Gallery viewer, That Corner of Barton of James
  • Load image into Gallery viewer, That Corner of Barton of James
  • Load image into Gallery viewer, That Corner of Barton of James
  • Load image into Gallery viewer, That Corner of Barton of James
  • Load image into Gallery viewer, That Corner of Barton of James

That Corner of Barton of James

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48” x 54” x 1.5”
Acrylic, flashe, ink, spray paint, espresso on canvas
2021 - 2022


She gave it her all. She fought for the trash bins and the cigarette receptacles. Stepped over the needles on the sidewalk in the morning. The crack pipes on the road. The spit on the window. The friendly shop owners who became friends. The community that embraced her with open arms when she wasn’t sure if she belonged there. She never fit in, but no one in that neighbourhood actually fits in, everyone just exists together, and there’s community in that. That corner was a ball and chain. She gave that corner her heart, and she regrets nothing. She knows the difference between giving up and walking away. That corner is bittersweet.  She is forever grateful, and forever wounded, but just like that corner, she is ready to fight for her space, and she knows now that she is tough as nails.

This painting was originally completed in 2021 and previously entitled Your Rage Is Sacred, which can be seen as the last photo.

 

 

The I Used To Hate This City collection embodies a celebration of self-empowerment, rage, persistence, triumph, perspective and resilience. It explores the evolution of the artist’s relationship with the City of Hamilton over the course of the past year as it shifted from Love, to Hate, back to Love again. These themes coincide with what the artist has experienced on her personal journey but also touch upon her observations of the City during recent times of gentrification, isolation and political change.

The paintings in this collection began as self-portraits that have since been covered with layers of paint, spray paint, coffee, and gold leaf to form abstracted depictions of Hamilton landmarks that are reminiscent of the new memories the artist has created in familiar places. 

The idea that the artist's previous and new-found sense of identity is strongly tied to various landmarks for the worse or the better is a relevant aspect of this collection and a reminder that while our environment may feel static and permanent, our minds and hearts are in a constant state of change and growth.

 

More info about this product:

This painting was hand-stretched by the artist in her studio on 1.5" gallery frames. It can be hung as an exposed canvas, or framed in a floating wood frame for a more polished look. This painting comes with an artist statement and signature. If you purchase this painting you will be contacted by the artist for more information about pick-up options in downtown Hamilton, Ontario, or delivery/shipping information. *Decorative frame not included*

Please note that the buyer is responsible for any shipping charges and/or for picking up the painting, but the artist will facilitate the process by obtaining quotes, packaging the product safely, and bringing it to a shipping centre at no extra cost. Reach out to the artist directly through the Contact page for any inquiries regarding this piece.

*This is an original painting by Tania LaCaria, there is only one in the world. Frame not included.